Technical Note 10 – * Referencing the internal/inside of the garment Documenting technical developments discovered whilst pursuing the project Locus of the Dress I have been observing and documenting the coding of the inside or the garments we wear as a way of understanding the visual signifiers for using my work. Key elements can […]
My most recent work explores the ‘imprint’ of our lives and thoughts on the surface of the garments we wear – making visible psychological emotions thoughts and memories.
Engaging with textiles within a gallery and site specific context I often respond to historical environments and/or partnerships such as the Forensic Science Service, the Herbarium at the Natural History Museum or the Harris Birthright Centre for Neonatal Medicine at Kings College Hospital. Using methodologies and theories borrowed from forensic or psychiatry partnerships, I am most concerned with exploring and presenting latent experience and memory inherent in worn clothing, especially examining the fine veneer of cloth that stands between us and the world; often a veil to the interior storm.
Listening carefully to the stories the reclaimed garments present enables narrative to develop and imagining around their ability to carry memory, to absorb and reflect experience. These garments are often presented as a metaphor for common human states and present opportunity for self- reflection and personal insight.
Working with a range of traditional hand-methods as well as new textile technology, I’m interested in the material relationships which ensue.
‘Goldsmith has exhibited at major galleries and museums in Britain, Europe, the USA and Japan, with work in many notable public collections. Awarded the prestigious Jerwood Prize, for Textiles she was also short-listed for the LICC International Creative Award in 2010.
Goldsmith regularly contributes to conferences/seminars, has authored articles for magazines and catalogues; her work is featured/noted in textile publications, books/journals.’
Blouse Limited Edition Print Pigment Print on Hahnemuhle Photo Paper 43cm x 53cm Edition of 150 To accompany the exhibition Łódź Blouse Trilogy Goldsmith is exhibiting the piece Blouse a Limited Edition Print. The piece is for sale at a special discounted price of £60 with free UK delivery. The original art piece, Blouse, is printed with […]
Ive spent the day reviewing my sketchbooks and my UCA diary/sketchbook, focusing my ideas to move forward with my project – My work diary is the ideal place for me to think through ideas as its always with me and as I have to travel on the train for two hours each day when Im […]
I have been taking a ‘garment audit’ – taking stock of the dresses etc that I have collected, ready for printing on, for the on-going Locus of the Dress project. Each of the garments have individual qualities for expression – clues and signals for the inside or outside. Hence some will be used turned […]
Turner Contemporary Workshop 24th & 25 th August BRITISH LIBRARY – YINKA SHONIBARE Turner Contemporary Margate This week I have been working with the Turner Contemporary devising and delivering creative sessions around the Yinka Shonibare exhibition Focusing on the installation ‘The British Library’ participants to the workshop were asked to contemplate their own history […]
‘Four Threads’ at the Haberdashers’ Company was held on Saturday 19th September 2015 setting up , below –
Sunday 24th April 2016 I will be giving an Artist’s Talk at West Dean College this evening from 5.30 – 7.00pm. This event is free – but you will have to book in advance with West Dean College. “Using textile materials and processes as a metaphor, Goldsmith explores how psychological states, emotions and memories associated […]
I have produced a publication, printed on a scarf square which includes images from the Locus of the Dress project and an introductory essay written by Dr. Herminia Hernaiz-Sanders and myself. Here is the web version artwork. The project is supported by the University for the Creative Arts, Rochester and the Arts Council. […]